Tag Archives: Scott Joplin

Tick Tock

“There’s no tick tock on your electric clock,
But still your life runs down.”
from “Halfway to Heaven”
— composed and sung by Harry Chapin

Prologue

Among many conspicuous factoids that jump out at me as I observe the world in all its splendor is the astounding number of people who have achieved extraordinarily at young ages.

Usually I come across these individuals while doing research for some other thread. The Internet has made such research endeavors almost unbelievably easy, especially for one who grew up seeking information with only one option: going to the library and fumbling through frayed catalog cards and struggling with the Dewey Decimal system.  And, the internet has also made it easy to drift off onto tangents.

Book Cover: Chernow’s excellent and thorough biography on Hamilton

Examples are many. Alexander Hamilton and the young Lafayette of America’s birthing years.  Isaac Newton, at age 22 and on leave from university during the plague, whiled away his time musing about sundry things, like gravity, light, and fascinating aspects of mathematics.  This led him to the theory of gravity, and a whole new class of mathematics, integral calculus, to prove it.  And the nature of light.  And a method to compute Pi to many digits quite quickly. Then the plague ended.  He returned to school.

Even a partial list is imposing.  Alexander the Great pretty much conquered and ruled the world in his 20s; his accomplishments even intimidated Julius Caesar.  Joan of Arc was in her teens when she led the French to victory over the English. Nadia Comaneci, at age 14, was the first to score a perfect 10 in Olympics gymnastics.  The Beatles were 20-24 years old when they rode the wave of Beatlemania to #1 … in the world.

Speaking of music. This realm is not without more than a few other names, particularly those of the “27 Club”; great musical artists who perished at that age, including Janis Joplin, Jim Morrison and Jimi Hendrix. They all passed on from drug abuse complications.  Clean living is no guarantee however — JP Richardson, The Big Bopper, made it to 28, only to go down in a Beech Bonanza, in a foggy snowstorm in a field in Iowa, “the day the music died.”

Following are three short bios of individuals who lived and played with elan, achieved greatly — and left the scene — relatively young.  The Comet, The Sweet Georgian, and The Paderewski of Rag.

The Comet

My dad was born and raised in Chicago; I was born there. Although we moved to near Milwaukee when I was but an innocent lad of 6 years old, we remained loyal to     “Da Bears” and the Cubs for decades, despite all my new friends’ allegiance to the Braves (who dumped Milwaukee for Atlanta in 1966), later the Brewers, and of course, “the Pack.”

50s and 60s style rabbit ears, with aluminum foil

I remember trying to watch televised games from Chicago, some 90 miles away.  We’d string wire through the trees in the back yard, or sometimes I’d stand beside the TV, holding the rabbit-ear antennae just right, usually with aluminum foil wrapped around them in odd shapes (most called it “tin foil”).

“Got it! Don’t move Joe!”

Usually we failed, or the blurry images were barely visible through the “snow”; then we’d give up and listen to a Chicago radio station – that would be WGN, at 720 kHz on AM. As a historic Clear Channel, and at 50 kilowatts, a good reception was a high likelihood.

 

Gale Sayers, looks like rookie or sophomore pic

In 1965 a rookie arrived on the scene for our beloved Bears: Gale Sayers. An exciting running back — fast, shifty and elusive — who could also return kicks. Raised in Omaha, Nebraska, he attended and played football for Kansas University. There he was a two time All-American, picking up the nickname “Kansas Comet.” Of course, as a youngster I didn’t know any of that; I learned that years later by reading his autobiography.

But I did know he was very, very exciting… and annoying to Packers’ fans. I was into my teens — cleaning zit ejecta from the bathroom mirror — before I stopped drawing his number (“40”) on my shirts to wear during pick-up football games.

During a game against San Francisco, in his rookie season of 1965, my dad and I followed probably the most remarkable game a rookie ever had, or ever will have. Sayers scored six touchdowns, 4 by rushing, 1 on a pass (80 yards), and another on a punt return (85 yards).  It was a late season game, so Sayers’ skills were now well-known, and the 49ers had redesigned their defense and kick coverage specifically to stop Sayers. To no avail. [video highlights here]

We were of course aware the mighty Packers were playing an important game across the country, in Baltimore, that same day. Their most glamorous player, Paul Hornung, had been struggling for quite some time with injuries; most notably a neck injury that caused a pinched nerve, accompanied by numbness and “stingers” running down his arms.  He was having a mediocre season and had been forced to sit out a few games.  That he was playing at all is testament to his mental and physical toughness … and to the stupidity of American Football.

Paul Hornung scored five touchdowns that day, a Packer single-game record that still stands. The next few days all my excited Milwaukee friends wanted to tell me  about those five touchdowns.  In a voice that probably failed to conceal my satisfaction, despite its soft tone (I had a bad stammer, and it was not cool to be a Bears fan in Wisconsin, even way back then) I replied: you know, Sayers scored six.

In 1965, Sayers set the NFL single season record of 22 touchdowns, coincidently at age 22.  It’s been surpassed eleven times now, but he did that in only 14 games. The rest, except OJ Simpson in 1975, had the benefit of 16 game seasons.  (Last year, ridiculously, and inviting further brain damage to players, they expanded to 17 games).

The next season Sayers led the league in rushing.  Then disaster.  He suffered repeated knee injuries, the first while playing against, ironically, the same San Francisco 49ers against whom he set the touchdown record.  He gamely came back after each knee injury and surgery (remember, this is way before arthroscopic surgery … the rehab was just brutal) and an ankle injury as well.  He still showed flashes of brilliance, but he’d never be the same Gale Sayers, again.

Comets light up our skies and provide us with something to marvel at, but they come and go quickly.  The same with Gale Sayers, the Kansas Comet.  He retired at age 28, leaving fans with great memories from a career that spanned just a few years.

So phenomenal were those few years, that Sayers was named to 4 Pro Bowl games (the NFL All-Star game), twice earning Game MVP [link].  Remarkable: he only played four full seasons.  In a fifth partial season, he was limited to only 9 games after two more knee injures — he still rushed for 856 yards with an astounding average of 6.2 yards per carry. He was inducted into the NFL Football Hall of Fame at the age of just 34 years old, the youngest ever to be so honored.

Sayers used his injury down time to get additional education, eventually earning a Masters Degree, as well as rehab. After retirement he first moved into sports management, picking up duties as Athletic Director at alma mater Kansas University and then AD over at Southern Illinois University.  Thereafter, he started his own very successful computer company, which he then ran until retirement.

Brian Piccolo — gone too soon

We can’t talk about Sayers without at least briefly mentioning Brian Piccolo, and the friendship they shared.  Piccolo and Sayers came up together, both finishing their college football careers in 1964.  Piccolo, playing for Wake Forest, led the NCAA in rushing that year; he actually nudged out Sayers in the Heisman Trophy voting.  (10th and 11th).

A tough hard running back, Piccolo was not as speedy or flashy as Sayers.  He went undrafted.  Signing a free agent deal with the Bears, Piccolo eventually worked his way up from the Practice Squad to regular roster player, often teamed up alongside Sayers in the backfield.

Coach George Halas decided it was a good idea to have teammates who played similar positions room together when the team traveled.  A budding friendship further bloomed: the black Gale Sayers roomed with the lily-white Brian Piccolo.  The first such roommate pairing in the NFL.  They even had sequential numbers: Sayers #40, Piccolo #41.

As anyone who’s seen the gut-wrenching movie “Brian’s Song” knows, Piccolo soon contracted a rare form of cancer and passed away, aged only 26.

Final link: Sayers and Hornung. Probably not coincidentally, except perhaps the timing, these stars passed away recently, within a few weeks of each other, in the autumn of 2020.  Both struggled mightily with cognitive decline, then dementia, in their later years.  Although no investigations were performed, it’s highly likely each suffered from CTE – chronic traumatic encephalopathy – the worst curse of American football.

 

Sweet Georgian: Bobby

I enjoy the sport of golf.  It can be relaxing and wonderfully distracting.  The exercise and fresh air one gets from playing are healthy, and so are the companionships that develop.  I’ve made a study of the game, including the physics and the history. I may not play well, but I can understand physics and history. One name all golf historians recognize is Bobby Jones.

Born in 1902 in Atlanta, Jones was blessed in many ways: coordinated, intelligent, self-driven and well-reared in a well-off family.  But as a youth he had severe health problems. For example, he was unable to eat solid food until age 5, which probably stunted his growth in these important years.

Doctors prescribed golf to young Bobby.  He lived across the street from a golf course (now the famous East Lake) which provided plenty of opportunity to play and learn.  He took well to the game, and by age 14 was playing – and doing well – in national tournaments.

While playing golf competitively at the highest levels, Jones attended nearby Georgia Tech, earning a degree in Mechanical Engineering.  Then, he went off to Harvard University, earning another degree, this in English Literature. [during his most competitive golf years, Jones would relax in the clubhouse before matches by reading Milton, Shakespeare and Chaucer].  Then, back home to Atlanta-based Emory University to study law.  Jones never fully completed his law studies at Emory, as he passed the Georgia Bar exam after his third semester, aged only 25.  He immediately began practicing law.

Along the way, he married his high school sweetheart and became a head of household: they had three children.

One can only marvel that through all this Bobby Jones compiled one of the most extraordinary golf careers in all of history, and certainly by far the greatest of any amateur golfer.

At age 21, Jones won the US Open. Over the next 7 years he’d win another 12 major tournaments, culminating with the Grand Slam – all four majors – in 1930.

After the Grand Slam (also called “The Impregnable Quadrilateral” at the time) Jones promptly retired, without warning — shocking the sports world.  Like Sayers, he was only 28 years old.  He had proved what he needed to.  He reached heights fans and historians still marvel at.

Robert “Bobby” Tyre Jones — in his prime

Was he the greatest, the so-called GOAT? It’s so hard to compare eras.  For example, Jones accomplished all this with hickory shafted clubs and golf balls that couldn’t be trusted to behave the same from one to another – even from the same box of balls!  Greens weren’t smooth.  He did all this while studying Engineering, Literature and then Law – and then practicing Law and raising a family.  [It is said that during an exhibition match at San Francisco’s Olympic Lake course, Jones reached the green of the 600 yard 16th hole in two shots — a prodigious feat by any era’s standards; he did it with hickory shafted clubs. His reaction?  A sheepish smile.]  If Jones isn’t the GOAT, he’s near the top.

Although his career as golf competitor was over after 1930, Jones’ involvement with golf continued.  Working with the Spalding Company he helped design and promote the first steel-shafted matched clubs.  He founded the Augusta Golf Club, which hosted the tournament he founded, now called The Masters.  He made a series of golf instructional videos – lost for decades; recently found – which are probably the most famous ever, using high speed cameras and special lighting.  Ironic, but it was for these instructional and technical ventures that Jones gave up his golf amateur status; he never accepted a dime for any of his many achievements playing golf.

In the 1940s Jones was still a vibrant and intellectual man.  But soon something was wrong.  He was weakening too fast, and in pain.  In 1948 he was diagnosed with a rare condition called Syringomyelia, in which cysts form and grow in the spinal cord, impinging the nerve channels.  It had been developing for decades, perhaps since birth.

President Dwight “Ike” Eisenhower’s painting of Bobby Jones

Jones’ life on earth lasted until 1971.  Those final decades were marked by extreme pain and progressing paralysis.  Starting in the ‘40s he became acquaintances with a man who would become President: Dwight D “Ike” Eisenhower. Theirs would grow to a great friendship of mutual admiration. Ike was like many other world leaders, from Churchill, to Prince Charles, to Franco and even George W Bush — he enjoyed painting .  Ike, also like many of us, really enjoyed golf. He fell in love with Jones’ Augusta Golf Club and course.  In 1953 Ike presented Jones with a painting of his good friend: a younger and healthier Bobby Jones. [1]

Paderewski of Ragtime [2]

This final tale of Ticks and Tocks is the story that started the germination of this entire essay. I learned about it in a recent newsletter of the 1904 World’s Fair Society, of which my wife and I are members.

For the threads of many gleaned tidbits, I must give credit to newsletter regular contributor Jim Wiemers, the society’s Music Collector.

Ragtime music is certainly a historic throwback; its golden era was around the last turn of the century, from the 1890s to the mid-1910s.  But it’s certainly still enjoyed today.  It’s cheery.  It’s jaunty. Its syncopated rhythms are catchy.  Personally, I’ve enjoyed it since watching the 1973 film “The Sting,” which featured Scott Joplin’s ragtime classic The Entertainer throughout the movie. [Confession: The Entertainer is the only specific Rag tune I can confidently identify].

Rag was not considered respectable music from its beginning, not for at least 10-15 years.  No doubt that’s because its roots lie in the African-American communities of that era, most notably in Saint Louis.

In 1904, the leadership of the Saint Louis World’s Fair (officially “The Louisiana Purchase Exposition”) denigrated the music form and wouldn’t permit it to be played on the main Fair Grounds. Some Rag was played along The Pike, which, in many ways, was sort of a “side show” to the Fair.  {Pike description}

This was a great loss to anyone seeking a combination of contemporary culture and art.  And it was most unfortunate, since the acclaimed all-time king of Rag and Rag Composition, Scott Joplin, lived in Saint Louis at the time.  [You can still visit the house he lived in, on the edge of downtown Saint Louis, just a few miles from Forrest Park, site of the Fair.]

Although most of us today are hard-pressed to name Rag stars of that era besides Joplin, there certainly were many.

According to Fair and music historians, at least three contemporary stars of Rag played on the Fair’s Pike: Louis Chauvin, Sam Patterson, and Arthur Marshall.

Marshall played at the Spanish Café, in the Streets of Seville exhibit, for $12/week (he could’ve made $25 over at the Rosebud Bar, but not on the Fairgrounds).  The job lasted less than a month, as his music was too often drowned out by the bands playing at Hagenbeck’s Animal Show (well, the Pike was sort of a collection of sideshows and odd exhibits, displays and experiences). Marshall was replaced by an Iberian Orchestra. [3]  He outlived most the era’s Ragtimers, and was able to provide firsthand testimony on many of the personalities and events to historians decades later.

Sam Patterson and Louis Chauvin played two-piano Rag at the Old St Louis Restaurant and Bar on the Pike  [for a great map of the Pike at the 1904 World’s Fair, go to bottom of this page: click here.  For a great interactive zoomable map of the entire Fair, here]. [4]

Patterson and Chauvin grew up together in Saint Louis, which was rather a Rag hotbed.  They dropped out of school at 15 and 13, respectively, formed a musical touring group, and traveled the country. Later, they returned to Saint Louis, studying and performing – including at the 1904 Fair – before setting off again.

Louis Chauvin (1881-1908) — just not any good photos of him on the internet

Patterson held various musical jobs and even joined Joplin in New York City for a while, helping him complete the ragtime opera “Treemonisha” before Joplin’s untimely death in 1917, aged 58.

And then there was the prodigy, Louis Chauvin, often called “Paderewski of Ragtime.” [2]  A true superstar of the original Ragtime era. He was a regular performer at Tom Turpin’s Ruby Bar in Saint Louis, a nexus for Ragtime talent.  [Quick aside: we note that Turpin himself was an early Ragtime leader, not only through his bar as a Rag performance venue, but through his talent: his works include the very first published Ragtime piece: Harlem Rag.]

Chauvin played only by ear and could re-create any piece he heard; if it wasn’t Rag, he put his own Rag-spin on it.  He could adapt any melody to Rag, including a Sousa march.  Contemporaries pretty much agreed: Chauvin was the best. They were all in awe. But none of his creations were ever written down. His only published work was a team effort with Scott Joplin: Heliotrope Bouquet.

Sadly for him and the music world, Chauvin’s lifestyle was terrible for his health.  According to Patterson “He stayed up, drank, and made lots of love … he only seemed to be living when he was at the piano.  It’s authentic that he smoked opium at the last.”  Chauvin passed away at age 27.  Various causes were listed, but modern assessments would largely pin it on neurosyphilis … that’s a long term case of the STD syphilis, resulting in coma and, ultimately, starvation.

 

Epilogue

 

Sayer’s career was over at 28. Injuries. Jones also at 28, by choice; other things to do.  Piccolo gone at 26.

Chauvin, perhaps the first member of the great “27 Club.”

Tick Tock, tick tock. Our clocks are running, always running, always ticking.

I really wanted this to be upbeat.  To be a tribute to so many who accomplished so much, and so young.  Alexander Hamilton setting up a new nation’s finances and banking system at age 32.  Leading a charge at the battle that cinched American independence at 24.  Dead in a duel at 47.

Sorry that this took a bit of a dour turn.  That’s why it took me so long to finish and publish.  I was looking for a cheery way out.

Hey, it’s never too late to do something!  Harland Sanders founded Kentucky Fried Chicken at age 62, after already (1) having made and lost a fortune, (2) bounced around the country losing jobs as varied and crazy as kaleidoscope patterns, and (3) also having survived a genuine shoot out.  [5]

Father William Treacy, the priest who married us, turns 103 this week. He still says Sunday Mass, preaching inspirationally as he’s done for 80 years, on love, humanity, brotherhood, peace, compassion and acceptance. [6]

Me?  I’ll just keep observing and writing.

Peace

Joe Girard © 2022

Thanks for reading. As always, you can add yourself to the notification list for newly published material by clicking here. Or emailing joe@girardmeister.com

[1] This famous painting hangs on the wall of the Chairman’s office at Augusta National.  Reprints are available, but good ones are not cheap. Ike presented it to Jones shortly after taking the oath of office, 1953.  He had been working on it for some time, including through the presidential campaign season.

[2] Ignacy Pedrewski, a Pole, was widely regarded as the best pianist in Europe at the time. As his name shows up in Saint Louis, obviously he was world renowned. An animated performer, he largely played classical music from the likes of Bach, Beethoven, & Chopin (of course) to large audiences. Known for reworking pieces to his own style (as did Chauvin), he went on to become Poland’s Prime Minister when it won its Independence as a favorable outcome of WWI.

[3] They All Played Ragtime, by Rudi Bush

[4] At nearly two square miles (1,270 acres) the 1904 LPE Saint Louis Fair was the world’s largest until the 2010 Shanghai Fair, which nudged ahead at 1,292 acres.  Close behind are the Chicago Fair of 1939, at 1,202 acres and the current 2020-22 Dubai World’s Fair, which has been cursed by Covid, at 1,100 acres.

[5] The Harland Sanders Shoot-out story, https://gizmodo.com/no-colonel-sanders-never-killed-a-man-in-a-shootout-1651797965; and in the book, “Colonel Sanders and The American Dream”, by Josh Ozersky.

[6] Father William Treacy.  We often watch his masses by Zoom, or on recording when we’re busy.

Biographic sources for Louis Chauvin:
[a] https://www.allmusic.com/artist/louis-chauvin-mn0002233120/biography
[b] https://www.stlmag.com/The-Best-St-Louis-Ragtime-Musicians-of-All-Time/

[c] https://aaregistry.org/story/louis-chauvin-pianist-born/
[d] And Jim Wiemer’s column on Chauvin the 1904WF newsletter.

 

About Us; About You

Writing History; Recreating and Creating History

My mother, God rest her saintly soul, took up writing the last decade or so of her life.  She made a serious study of it, even joining writing clubs and taking experienced mentors.  Over the next several years she crafted a series of essays about her life: from growing up on the plains of Alberta, to raising a flock of six wild kids; plus moving from Canada, to Chicago, to Milwaukee, to Arkansas and finally to Colorado.  Eventually she compiled a few dozen of those essays into an autobiography which she self-published just two years before she passed away.  I’m so very glad she did.

Many authors have written stories and essays by incorporating elements of their own life into their works, in semi- or even full-autobiographical form.  The characters of Harper Lee’s “To Kill a Mockingbird” closely resemble herself, her family and acquaintances as a youth.  The fictional town of Maycomb, AL closely resembles her own girlhood hometown of Monroeville, AL.

Samuel Clemens’ novels – particularly those about Huck Finn and Tom Sawyer – include many adventures and characters from his boyhood hometown of Hannibal, Missouri – although he places them in fictional St Petersburg, complete with a cave.

The list of authors who have created this way is near endless.  Hunter S Thompson: Fear and Loathing in Las Vegas.  Charles Dickens: David Copperfield.  And we recognize: Aleksander Solzhenitsyn; Roald Dahl; Ernest Hemingway; Charlotte Brontë  Theirs are timeless and often moving works.

Question: Will you write about your youth, your life, your experiences? Our literary works don’t have to be moving or timeless; but we should all write.  Why? To express ourselves.  To leave a legacy to our posterity about our lives and our thoughts.  Somewhere in the decades and generations hence, a child or young adult descendant will wonder what their ancestors were like.  What YOU were like. Send them a message.

But don’t just make it up.  As Harper Lee said: an author “should write about what they know, and write truthfully.”

“Literature transmits incontrovertible condensed experience — from generation to generation. In this way literature becomes living memory ….” – Aleksander Solzhenitsyn

 

“Home is where your story begins” — Annie Danielson, Colorado CEO of the year, 2009

_______________________________________________

My dear friend Kevin Shepardson is now in a rehab hospital in Phoenix. Reports I get are that he is doing well; in fact – miraculously well.  Although now safe from terminal danger, he still has “a very long row to hoe.”  He has great loving support from his family and many friends.  Still, he can use all the prayers, good wishes and thoughts you can send his way.

I’d written recently that – until his New Year’s Eve day cardiac arrest episode – Kevin published a daily news letter, often with musical tributes to some event or holiday.  Each year in December he includes a daily musical tribute. Every day’s inbox has a new Christmas or Winter Holiday Seasonal themed musical delight, right up to Christmas Eve Day.

This past December 23 his musical selection was “Have Yourself a Merry Little Christmas” – which has to be one of the saddest Christmas carols ever.

Just the title conveys a lack of joy: Little Christmas? It’s like you’re being spurned by a lover: Farewell shot: “Well, have yourself a merry little rest of your life.”

The slow sadness of the song is actually appropriate.  The lyrics — composed by Hugh Martin in 1943 — were for the otherwise cheery musical movie “Meet Me in St. Louis”, to be sung by the beautiful and gifted Judy Garland during the only really sad part of the movie.  The plot at this point has her family tormented by an imminent move to New York just as big things are happening in their lives. Young ladies are falling in love and the 1904 World’s Fair is about to occur in St Louis!

In Kevin’s Dec 23 newsletter, he described a bit of the song’s history.  It was originally even much sadder. Its lyrics went:

Have yourself a merry little Christmas
It may be your last.
Next year we may all be living in the past.

Have yourself a merry little Christmas.
Pop that Champagne cork.
Next year we all may be living in New York.

No good times like the olden days,
Happy golden days of yore.
Faithful friends who were dear to us
Will be near to us … no more.

But at least we all will be together
If the Lord allows
From now on we’ll have to muddle through somehow
So have yourself a merry little Christmas … now.

(Most dreary lines in blue)

 

Wow. Makes me kind of weepy just reading and humming to myself now.

  • This Christmas “may be your last.” That’s just morbid.
  • “No good times”??? How sad.
  • “Faithful friends who WERE dear to us will be near to us NO MORE.”

Oh my.  No wonder Garland refused to sing the song that way.  She just couldn’t do that in the saddest scene in the movie to poor little 6-year old co-star Margaret O’Brien, who nearly stole the show as Ester’s (Garland’s) younger sister, Tootie.

Fortunately, the movie’s lyricist Hugh Martin eventually relented and re-wrote the song closer to the carol we know so well:

Have yourself a merry little Christmas
Let your heart be light.
Next year all our troubles will be out of sight.

Have yourself a merry little Christmas.
Make the yuletide gay.
Next year all our troubles will be miles away.

Once again as in olden days,
Happy golden days of yore.
Faithful friends who are dear to us
Will be near to us … once more.

Someday soon we all will be together,
If the fates allow.
Until then we’ll have to muddle through somehow.
So have yourself a merry little Christmas … now.

Much better, but still rather somber when sung at ballad tempo, less than 80 beats per minute.  And it still has that line “have yourself a merry little Christmas” … and ends with “We’ll have to muddle through somehow.”

Muddle through?? Geepers. It was enough to help Margaret O’Brien gin up a few tears … to set her off to a fit of downright bawling – and destroying snowmen. And yet: It’s the original recording and still a very good one.

Well, there have been many covers of “Merry Little Christmas”, most notably by Frank Sinatra.  Sinatra asked Dean Martin to help him lighten up the song for his album “A Jolly Christmas.” It just wasn’t “Jolly” enough.

Martin changed the line with “muddle through” to “Hang a shining star upon the highest bough.” Dean and Frank made several other changes, which are shown in the notes below. You can hear it from the album here:  {Click the button or skip to 14:05 on the playback}

That’s a long way of getting to say this: Sally Benson’s story has had a heck of a ride over the last 111 years.  And … any way you look at it, we’re very, very glad this past Christmas didn’t fit the original two lines of “Merry Little Christmas” for Kevin.  It certainly was not your last, buddy!!  Stay strong my friend.  Peace and much healing to you.

_______________________________________

During World War II Americans craved entertainment that distracted them from the woes and worries of everyday.  Through much of the war, most news was not pleasant, even when the allies were winning.  For almost four years, US military service personnel perished at a rate of over 300 per day.  Casualties were over 800 per day.

The home front craved entertainment that had light, joyful stories that weren’t terribly deep. Something to take their minds off the awful news, both local and from around the world. Everyone was affected by death and severe injury in their family and among dear friends. The war was fought on the home front as well as in Africa, Europe, the Pacific.  So, who can blame them?

And the entertainment industry stepped up to meet those desires. Many entertainment creations of that era met these criteria. But two in particular share several remarkable coincidences.  These are the musical play “Oklahoma!” and the musical movie “Meet Me in St Louis.”

Coincidences?

  1. First, they are period productions, placed during jauntier times, in the first decade of the 20th century; during the Edwardian/pre-war era.

    • >“Oklahoma!” is placed in 1907, in Indian Territory just as Oklahoma is about to become the 46th star on the flag.
    • “Meet Me in St Louis” is placed in 1903-4, in, … well …, St Louis, just as the World’s Fair is about to come to St Louis.
  2. Second, each production originally contained the Rogers and Hammerstein song “Boys and Girls Like You and Me”. Producers dropped the number, twice, at the last minute due to running time.
  3. Finally, each was based on another story. In both cases, that other story was substantially autobiographical.
    • “Oklahoma!” is based on the play “Green Grow the Lilacs”, written by Lynn Riggs. Riggs was born in 1899 near Claremore, Indian Territory. He was 1/16th Amerindian*.  He grew up and went to school in, and near, Claremore — which is also the closest significant town to the setting of “Oklahoma!”
    • “Meet Me in St Louis” has a bit more history that I’m familiar with. It’s based on the book of the same title. That book, in turn, is slightly expanded from a series of semi-autobiographical essays that Sally (Redway) Benson wrote for The New Yorker magazine, from 1941 to 1942.
      • The essays were called “5135 Kensington”, which was her family’s address in a middle class neighborhood, located just over a mile from the main entrance to Forest Park, St Louis, where the 1904 World’s Fair occurred.

 

*: I have concluded that, sadly, there is not a perfectly appropriate term for this race of people.  “Native American” fails, since there are generations upon generations of other races dwelling here in the Americas who have no other place to call their native land.  “Indian” fails since that clearly belongs to the Indian subcontinent.  They are worthy of their own clear and distinct name, so I have accepted what some others have proposed: Amerindian.

_________________________

Leaving “Oklahoma!” for another time, let’s skip over to what became of Benson’s autobiographical essays: Meet Me in St Louis.Promo1

MGM was casting about for possible cheer-you-up movie plots wherein they could cast their greatest rising star – Judy Garland – when they came across Benson’s essays.  They decided it could be made into a screenplay for a musical movie, in order to showcase Garland’s beauty, grace and voice.

Only 21 at the time, Garland initially refused the role. She didn’t want to play a teenage “girl next door.” She was an adult now.

Indeed she was an adult.  During production, she and director Vincente Minnelli fell in love – resulting in the second of five Garland’s marriages.

“Meet Me in St Louis” is full of music, song and gay dancing  (duh, it’s a musical!). As full of music as it is, the movie’s songwriters — Hugh Martin (lyrics) and Ralph Blaine (music) — only composed three original tunes for the movie. These were: “The Boy Next Door”, “The Trolley Song”, and the aforementioned, “Have Yourself a Merry Little Christmas.”

These were written specifically to be sung by Judy Garland – (although she doesn’t come in on “Trolley” until over a minute — almost halfway through — after she sees her potential beau make it to the trolley.)

Both “The Trolley Song” and “Have Yourself a Merry Little Christmas” are among the American Film Institute’s top 100 movie songs of all time: “Trolley” coming in at #26 and “Merry Little Christmas” at #76.

No surprise, especially to Judy’s many fans, that she also holds AFI’s #1 spot with “Somewhere Over the Rainbow” from “The Wizard of Oz.”

“Meet me in St Louis” ranks as AFI’s 10th best musical movie of all time.  Easy guess that “Singing in the Rain” is #1.

Although screenwriters took some liberty with Benson’s original texts, much of it remained faithful to her writings of her childhood memories.

  • The address of the Smith home is exactly the same as that of her childhood: 5135 Kensington Avenue
  • The names of all the family members (mother, father, four girls, one boy) and the maid are all exactly the same as Benson’s family — even the nicknames. The family’s surname, Smith, is actually Benson’s mother’s maiden name.
  • Opportunities to show what else was going on in St Louis at the time were skipped – for example Scott Joplin lived and performed just a couple miles away. Ragtime was very fresh and popular. Benson didn’t write about these because, as a young child of six years old, she didn’t remember it. She wrote about what she knew.

Today we remember “Meet Me in St Louis” for much more than “Sally Benson first wrote her essays based on her childhood memories.” She certainly had no idea where it would go – that it would be garnished with famous actresses and memorable songs.

It’s probably most remembered for the Christmas carol that Martin and Blaine wrote.  The song immediately became popular with servicemen abroad – and their loved ones at home.  Why? It heralded a happier time in the near future – next year – when we all “will be together”, “all our troubles will be miles away” and “out of sight.”  And indeed, the war ended the year after the movie’s release.

When you write your memories, no one can know what will become of them.  They probably won’t be adorned with beautiful actresses, showy songs and marquis lights.

But I can assure you this: somewhere, sometime, someplace, someone will be interested in them.  Perhaps your descendants, or a friend’s grandchild, or a grand-niece or nephew.  When they read your rambling musings, your journals, your essays – well – those works will indeed become timeless and moving works of art.

If it’s daunting, start slow and easy.  Keep copies of the notes, letters and cards you send and receive.  Start a journal, or a blog.

Write about your experiences and thoughts. Therein will lie your  memories, your “you”. Write about as many of your yearnings, loves, disappointments and successes as you dare. Yes, there — wherever you put them — available and preserved, for future generations.

As true as that is for you and me, I know this.  Last Christmas was, miraculously, not Kevin’s last.  Nor was it yours.  As soon as Kevin recovers enough to write – he will.  It seems it may be soon. And now he has so much more to write about.  I can’t wait to read it all.  And some day, his grandkids and great-grandkids will be glad that he did.

Live well. Be inspired. Write. Create.

Peace.

Joe Girard © 2015

Note: Sally Benson is also well known for writing “Junior Miss”, which was also made into both a play and a movie. The movie starred Peggy Ann Garner.  It was also based on a series of semi-autobiographical stories that she first published in – yes – The New Yorker.

Most of her New Yorker essays were published under the nom de plume of “Esther Evarts.”

 

Bibliography:

Taylor, Mike: CEOs of the Year, Mark & Annie Danielson; Cobizmag: https://www.cobizmag.com/articles/ceos-of-the-year-mark-and-annie-danielson1

 

AFI top movie songs
http://www.afi.com/100years/songs.aspx

AFI top musical movies
http://www.afi.com/100years/musicals.aspx

NPR: The Story behind Have Yourself a Merry little Christmas
http://www.npr.org/2010/11/19/131412133/the-story-behind-have-yourself-a-merry-little-christmas

Some good back story on movie Meet Me in St. Louis. And a lot of detail on the plot.
http://www.filmsite.org/meetm.html
http://movies.amctv.com/movie/1944/Meet+Me+in+St.+Louis

Notes: comparing the versions of the song: Have Yourself a Merry Little Christmas
Garland v. Sinatra (changes for Sinatra version – 1957 – in Blue)

 merry-little-christmas